Monday, December 10, 2007

all of us on mountains

"Desolation Angels", Jack Kerouac, 1965

On top of a peak in solitude, this is a new voice of Jack Kerouac, yet the same old one, working things out constantly. Thing is, Jack Kerouac spent a whole lot of time not on the road but we never hear about it because when he wasn't on the road, rather, in more or less solitude at his mother's he was writing about the wild times, the pursuits. Now we catch him in Book One (Desolation Angels) in 70 pages of solitude like a reborn Buddhist mulling over his philosophies before emerging back into adult life to be, again, Jack Duluoz, Beat poet rising into star status, these adventures taking place just before the publishing of "On the Road" before all things would change.

Still, what kind of rebirth is it? He comes back down off that mountain (from doing fire watches and keeping entertained with card baseball games) where he curses the sky and Mt Hozomeen for his solitude yet has the chance to meditate on his Buddhist leanings and seemingly feels refreshed, apparently knowing much more about life, and intermittently will curse his rebirth all together, wishing for nothing but pencils, paper, and nobody. Still, has he learned a thing, going back into New York, finding a few lovers randomly women taking care of him in absence of his mother, searching for that ultimate truth in the road trying to live and damnit doing it on his own whatever pursuits. Has he learned a thing?

Appearing yet again are the likes of Neal Cassady, Allen Ginsberg, and Gregory Corso (all pseudonymed-up) with all their quirks, but Cassady much more lovingly human than the caricature hero of "On the Road"'s Dean Moriarty, while Corso is as mad and poetic ever painting murals for the mafia, speaking truth and cursing destitution, with Ginsberg and his lover sitting around naked at parties doing whatever taboo can be to shake people out of their comfort zone (whaddya expect from the man who, at this time, just published the titanic poem, "Howl"?). We get glimpses of their mangled fraternity, emerging flame, careless lumping into sameness catagories while Kerouac's prose sorts them out quite clearly as a diversity of souls all digging each other out of curiousity and sheer madness, but what else should friendship be based on? Cassady teaches Corso how to bet on horses, Ginsberg pisses Corso off by stripping down at a quiet gathering in San Fran, William S Burroughs appears in Tangiers typing away madly at "Naked Lunch" whilst dreaming of his Ginsberg and ever getting shot-up on M, Kerouac rides around to Mexico City, Africa, Europe, and so on with a growing stash of manuscripts artistically flourishing (for he never considered "On the Road" a magnum opus and had "Tristessa" under his arm nearly losing it on the train), Great Jack's last adventure was even to move his mother out to Berkley for their perfect home in the effeminate progressive art communities but the old matriarch couldn't take the madness, scared her boy would be destroyed by it all, begging for him to find a home, another theme constantly creeping through all the Duluoz Legend and especially "Desolation Angels" (there is no home in desolation?), the concept of home through all the searching home is not lost but yearned for more, especially as he takes that boat back to America from England, yet nothing is ever settled even as he finds his Joyce Johnson, or Alyce, the one who takes care of him so well...he even concedes that sex is not the furthest he can love a woman or somesuch (I think I'll find it and quote it here -- second thought maybe not I got a better Hozomeen quote). Yes, so much goes on here, the wild shit, the soul searching (and yes, the cover is right, religion comes up so often with so many Buddhist and Christian and spiritual references you must read it all in context to even grasp the meaning), and the longest Kerouac book in 409 pages and over 150 small vignettes/episodes, two books (Desolation Angels and Passing Through, which was really an overview of happenings after "Desolation in Isolation" and "Desolation in the World") you must do as you always would first time in a Kerouac maze, read read read don't stop read read and synthesize what's great let other words drift off, catch more the second time around.

Yes, you'll learn.

"Hozomeen, rock, never eats, never stores up debris, never sighs, never dreams of distant cities, never waits for Fall, never lies, maybe though he dies-"

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